Autofluoresce

2023, LED strips, proximity sensor, ESP 32 micro-controller, tubular crinoline, Tulle, wire mesh Inspired by the idea of bioluminescence, Autofluoresce brings together the physical and the digital. As the viewer approaches, the lights respond by speeding up their sequence. Autofluoresce is the first collaboration and iteration of interactive installation with Spenser Spratlin of Spratlin Studios. We have both been working on various forms of interactive art over the past few years,

Enchantment

2023, 8x10ft, interior latest paint Enchantment was painted for my nursery, giving it an enchanted forest theme. The goal was to be both calming and a little bit mystical, with just a touch of whimsy. The color scheme of cooler, deeper jewel tones contrasted with warm tones help to give a sense of magic to this mural.

Leaf Mural

2023, 8x10ft, Interior latex paint Freehanded line work, this mural was a small project created to update a living space. The goal was to bring some color into the space in a dynamic way, while also adding some beauty and whimsy.

Portal

2022, 6x6x7ft, Satin Ribbon, BB pellets, hot glue, and chickenwire Portal is the second installation I’ve made in this way (The first was Pathway in 2021). It was commissioned for the entrance to a Fantasy Medieval themed wedding. This work was named for its function as a portal to the past, literally described as “a feeling like entering Narnia, pushing past the fur coats.” The colors were chosen by the

Refraction

2022, Flagging tape Refraction was a collaborative, interactive installation created at the Art of Retreat. This piece was all about working with the environment to create an interesting space to play in and explore. From going under, over, or through, to following the flagging tape path, to setting a hammock up within the work, there were many ways to engage with this piece. It was also interesting design challenge, as

Step

2022, 4X12ft area of 12-18″ stones, concrete, mortar, grout, ceramic tile, stone Step plays on the viewers’ hesitance to touch ‘art’ as a way to guide them through the space and the work. The negative space on each stone invites viewers to use only that section to interact with the work, preserving the “art” sections of mosaic. If viewers completely avoid the stones, they will still have to wind their

Tranquility

2021, 8x10ft, interior latex paint Tranquility was a commissioned mural, painted for the client in their living space. The design is based on the colors and aesthetic of the space, and was designed to create a calming mood. The forest setting draws on the existing tree motif in the room, while pushing it towards the whimsical and dreamy.

Pathway

2021, 8x5x7ft, satin ribbon, chicken wire, PVC, BB pellets, hot glue Pathway explores the relationship between art and viewer, by creating a situation in which the viewer is not only encouraged to interact with the work, but in fact is required to. The goal of this piece is to present the viewer with a path to pass through the piece, but they must either touch the artwork, or move in

Movement Mural

2020, 13x78ft, cement paint This mural was completed for the Lehigh Valley Parkour Academy to decorate their space. There were several interesting design points I had to consider; the mural was to cover the wall and hide shoe marks, be useful for coaching, and be aesthetically pleasing but not visually distracting for students. The color choices were based on the Academy’s current branding.

Don’t Lick the Art

2020, Steel Pipe, Clamps, Glow Sticks Collaboration with Isabel Andrews (isabelandrewsart.com), Don’t Lick the Art was an interactive sculptural experiment. It was meant to be touched, climbed on, played on, and otherwise interacted with, in addition to being visually appealing. The piece was named for one way we don’t recommend interacting with it.